SPIRITUALITY VIA PATTERN & VOID - PORTRAITS
Floor installation. Although it was somewhat a video displayed via a screen on the floor, the work was about light and void making pattern alongside sound as pattern. This is very different to Klimt's use of pattern as instead of organic, it's highly computerised - it emphasises this as well with how binary it is, like the binary code.
Consumed by a deep void due to the use of form and colour. Deep tones will be easy to reconstruct for a photo but I'm unsure how form could be achieved.
Graham, D. (2016). Two V's Entrance-Way.
Again back to the idea that the universe is laughing at us. The piece being in a gallery setting, the viewer expects some kind of philosophical revelation or to experience some type of narrative but the enlightenment comes with the fact that there is nothing, and you should have known there was nothing because the entire piece is transparent.
Axel Vervoordt Group. (2010). under the edge of the world / part 1 : lack within. [Online]. [4th November 2017]. Available from: https://vimeo.com/17541080
Graham, D. (2016). Two V's Entrance-Way.
Ikeda, R. (1996). Test Pattern [N°12].
VernissageTV. (2017). Ryoji Ikeda: Test Pattern [N°12] at Store Studios, London. [Online]. [4th November 2017]. Available from: https://www.youtube.com/watch?v=9Rcxp7qLeSU
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